Reunion is a creative partnership between Ruvan Wijesooriya and Bec Brittain.
We create bridges between specialized subjects and wider audiences. Through image, form, and story, we work as liaisons between complex fields and the people who need to understand, support, and engage with them.
RUVAN WIJESOORIYA
Ruvan Wijesooriya's ability to connect with people from the moment they meet allows him to create work that is both diverse and deeply authentic. His portfolio spans music, nightlife, various styles of portraiture, abstract landscapes, advertising, flowers — even a school yearbook in Afghanistan. At first glance, his work may seem eclectic, but a closer look reveals a common thread: a deep understanding of people, place, and ideas.
His exhibitions often ask the audience to participate and use multi-sensory prompts to create a novel, unforgettable experience. His photography shows use interaction to challenge the ways we experience art in galleries. An early adopter of making art in VR, Ruvan made the first immersive editorial VR fashion film, Unstitched, and followed it with Yucatan — a soundtracked, scented meditative VR experience. For Ruvan, showing, telling, and sharing is crucial to his work.
With over two decades of experience, Ruvan has built lasting relationships with clients across industries on the strength of a single, rare ability: bringing documentary integrity to the gap between how something is perceived and what it truly is. Whether shaping a public identity or capturing meaningful moments in real life, he excels at changing minds about things people think they already understand. Many of his clients don't just commission his work — they choose to live with it, hanging his art in their homes and offices.
Through Reunion, Wijesooriya is now bringing that track record to nuclear energy — a sector whose problem is communication, not science, and whose primary audience hasn't been reached yet. Reunion embeds in nuclear facilities and produces work across photography, publication, and form. The exact gap he has spent his career closing — between how something is perceived and what it truly is — is the gap nuclear needs closed most.
BEC BRITTAIN
Bec Brittain's practice sits at the intersection of precision engineering and fine art. After studying product design at Parsons, philosophy at New York University, and architecture at the Architectural Association in London, she founded her studio in 2011 with the debut of SHY Light — a work that became a landmark in contemporary design and established a new aesthetic language in the field. For fifteen years, her work has been defined by a single consistent logic: the transformation of raw materials and industrial process into objects of beauty and meaning.
That practice has placed her work in significant private collections — including those of Rashid Johnson and Sheree Hovsepian, Mike Diamond, and MacArthur Fellow Simone Leigh — and earned commissions for global institutions including the new J.P. Morgan headquarters in New York. Each piece is conceived and engineered by Brittain herself, produced through close collaboration with a network of skilled local fabricators and artisans, and hand-assembled and finished under her direct supervision — ensuring both technical precision and emotional resonance. Her work has been featured in the field's most authoritative publications: The New York Times T Magazine, Architectural Digest, Wallpaper*, and Vogue. Among collectors, institutions, and editors who shape the terms of taste in the creative industries, Brittain's name carries genuine weight.
Through Reunion, Brittain is now applying that practice to nuclear energy. The sector has a communication problem, not a science problem — and the aesthetic bar for nuclear communication is low enough that rigorous, beautiful work will stand alone. Reunion embeds in nuclear facilities and produces work across photography, publication, and form, reaching audiences that industry communication has never reached. The credibility required to do that is not transferable. It has to be earned. Brittain has spent twenty years earning it.
